New for old
Almshouses fulfil an important role, providing affordable housing for elderly people. Many, like Housing Pathways Trust are small organisations whose residents support one another in loose-knit networks, allowing them to enjoy later life in a non-institutional environment. Matter have been working with Pathways’ residents to redevelop their existing estate in Ealing. The innovation comes from the understanding we’ve gained of the residents’ social networks through a series of workshops. The architecture has developed a unique relationship between the individual balconies, living rooms, kitchens and the social, communal spaces. Conceived as a giant trellis, the building itself is cultivated with plants, as a focus for social activity, health and wellbeing. The normal difficulties of balancing daylighting, overheating, shade, privacy, sociability and access are resolved in a single, layered façade that holds the social life of the new building.
Opening up prison design
In 2012, Matter’s Roland Karthaus joined an RSA team to develop a new social enterprise model for the re-use of Ministry of Justice assets to support rehabilitation. Unusually, the team worked inside, and outside the prison, designing the project collaboratively with prison officers, prisoners and their families. The work was highly influential and has led on to Matter receiving an RIBA Research Trust award and an Innovate grant to develop an evidence base for improving prison design. We are tackling this current work in the same user-focused way: to understand how to improve prisons, we’re asking the people inside. This month we’ll be working in Britain’s newest prison, HMP Berwyn doing walkabouts with the men, together with an environmental psychologist to understand how the prison environment holds people back from turning their lives around.
Playing the bridge
As part of Hull 2017 UK City of Culture and in collaboration with composer Nye Parry and artist Madi Boyd, Matter devised a public art project to explore new ways to experience Scale Lane Bridge. Through workshops, performances and an audio/visual installation, on and inside the bridge, people explored the sound and physicality of the steel structure while glimpsing its hidden workings and process of construction. The public performances featured Indonesian gamelan music (made by striking metal) along with the piece created in the workshops which used the bridge itself as a giant musical instrument. The installation included a spatial soundscape using recordings made during the project as well as projected imagery combining a visual poem of the bridge’s making with x-ray like views through its skin. Over 5000 people participated in the event, which was funded by the Creative Communities Programme.